![]() When that happens, I reach for this lens. Sometimes, I simply can’t get ideal lighting in a home. Because it fits my full-frame Canon perfectly and offers great wide-angle performance in low-light conditions, my favorite lens is the Canon EF 16-35mm f/4L IS USM. I’d buy it again in a second if I had to.Īs a professional real estate photographer, I’m often asked about my work, especially my lens preferences. Choosing the right lens for real estate photography can be tough, however. For that reason, I have to say this thing is just a beast! For 95% of my everyday real estate work, this lens does the heavy lifting. Moreover, it’s significantly less expensive, which scores points with a cheap guy like me! In addition, the lens distortion is very manageable in post. I feel the f/4 version of the lens is just as good (if not slightly sharper) than the f/2.8 version. Plus, if I need to crank it out to 16mm, it’s there if I need it (I’m shooting on a full frame Canon 6D to get the true 16mm). Most of my best stuff happens right around 24mm, and that seems to be right in this lens’ sweet spot. I don’t have the time to fuss with tilt-shift ridiculousness for run-of-the-mill real estate work and the 16-35mm gives me all the coverage I generally need for a real estate shoot. For real estate, I’m trying to be as efficient as possible, and for me that means moving quickly. My go-to lens for everyday real estate photography is my trusty Canon EF 16-35mm f/4L. ![]() ![]() My favorite use of this lens is to stand back and zoom in on a particular area like a fireplace mantel or living room vignette. It allows me to capture an entire room, large or small, without the space looking distorted or unrealistic. Mindie Ballard: WebsiteĬalling this my favorite lens for real estate photography may be an understatement, because I couldn’t function without my Canon 16-35mm f/4 lens. I find the field of view with the 24mm on a 35mm sensor to be wide enough in most interior situations without being so wide that it causes spaces to feel vast and distant. I’m shooting mostly architecture and interiors these days and this lens is ideal for that type of work. I used the shift feature when shooting architecture and considering that I was mostly shooting film then, it was essential to correct for parallax error in-camera since I really didn’t have a ‘second chance’ to correct for it in post processing like we do in digital today.ĭespite the digital effects available today this lens is still relevant – enough so, that when Canon came out with a version II of this lens in 2009 I rented it once and realized how much sharper they’d engineered the glass that I bought it immediately. My favorite lens is Canon’s TS-E 24mm f3.5L II. I started off using Canon’s first version of this 24mm tilt-shift back in 1999 and I thought it was great then because of its large image circle and its ability to provide shifts and tilts in a 35mm format. Having the most expensive gear certainly doesn’t improve the photographer or guarantee better images, but it sure does help one’s professionalism/confidence/swagger. This shook my confidence, so I purchased the Nikon 14-24mm f/2.8 the next day. He looked at my gear, told me he was a hobbyist, and proceeded to present a kit that was top of the line. That said, several years ago, I photographed the home of a prominent hand-surgeon. I’ve worked with many 3rd-party branded lenses, and had a lot of success with them. I have shot real estate for over a decade. It is a sharp lens with a lot of focal leverage to please any client. It is more than enough lens for residential real estate. My favorite lens for Real Estate Photography is Canon’s 17-40mm F4L. The ability to shift the lens to avoid vents in a ceiling or some distracting element on a floor is just icing on the cake. It’s a wide lens, but not obnoxiously so, and let’s me capture a space realistically. It’s a real workhorse and is sharp as a tack. I love shooting interiors with my Canon 24mm tilt-shift. The Best Lens for Real Estate Photography According to:
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